Our ApproachFrom a negative mold to a bronze sculpture
Every commission is unique, but our approach provides structure, transparency, and room for dialogue. The artist can also incorporate their own steps into the process, with support from our experienced team.
How we work:
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Initial contact and intake
A project usually begins with a visit to the foundry or a consultation based on photos, sketches, and measurements. Together, we review the design, the scale, the technical considerations, and the desired finish. At that point, we determine whether an original model at the correct scale will be provided or needs to be created, and whether or not a negative mold is required. This stage is also essential for fully understanding the artistic concept. Contact us to schedule an appointment to discuss your idea or creation, or send us the necessary information to get started.
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Quote and Schedule
We prepare a quote based on the model or design, the estimated bronze weight, the complexity, and the finish. The cost of the mold, any pedestal, transportation, or installation are clearly listed separately. Once approved, we will work with you to determine the next steps.
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Production with interim checks
Throughout the process, we make adjustments as needed, depending on the project and the artist’s or client’s requirements. Inspecting the wax model is often a critical step in the casting process. This is the final check before casting. If necessary, we make adjustments, always in consultation. After casting and demolding, the finishing steps follow: sandblasting, chiseling, assembly, and the chosen finish, such as patina, polishing, or coating. Some artists choose to do (part of) the finishing themselves—that is also perfectly possible.
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Delivery, pedestal, and installation
The finished sculpture can be picked up at the foundry. If desired, we can also handle the production of a pedestal, transportation, foundation work, and on-site installation. For larger or monumental works, we conduct a customized technical assessment (and, if necessary, a structural stability analysis).
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Aftercare and maintenance
A bronze sculpture is durable, but it does require maintenance. Here you’ll find more information about the care, aging, and protection of bronze sculptures, both indoors and outdoors.
FAQ — Frequently Asked Questions
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We start by creating a negative silicone mold of your original work. Using that mold, we create a hollow wax replica (the wax model). Once you have approved the wax model, we add the sprue and vent channels. If necessary, the model is divided into sections.
The wax model is then placed in a refractory casting mold, which is fired: the mold hardens and the wax melts away. We pour molten bronze into the resulting cavity. After cooling, we break open the mold and clean the casting, then blast it with glass beads. Next, we perform the finishing work on the bronze (ciselage) and apply the desired finish: patina, polishing, painting, varnishing, powder coating, silver plating, gold plating, …
We can also provide a base, transportation, or installation.
Based on photos and measurements, you will receive a quote or price estimate. Once you approve it and we finalize the project details, we will begin the process.
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Once the physical model has been approved: 12–16 weeks, depending on complexity, workload, and quantity.
If the model still needs to be created: + 2–6 weeks, depending on the technique.Specific finishes (paint, coating) or bases may extend the turnaround time.
Large-scale projects: 6–12 months.
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We limit each casting mold to a maximum of approximately 1 m².
Larger sculptures are cast in sections and then assembled, sometimes with an internal framework for structural integrity. We have already created monumental works up to 22 meters tall. -
For projects smaller than approximately 3 cm, we would be happy to refer you—in consultation with you—to specialized artisans who focus on very fine work.
For anything on a larger scale, feel free to reach out to us, and we’ll work together to determine the best approach.
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We use the classic 90/10 bronze alloy (90% copper, 10% tin)—a European, certified alloy that has been used for centuries and is known for its quality, durability, and beautiful patina.
The bronze we purchase is 100% European and fully certified. Its 90% copper content guarantees a high-quality end result.
In addition, the copper is recycled, sourced from European recycling processes, without the need for new mining.
This alloy combines strength, detail, and stability, making it suitable for both small-scale and large-scale projects.
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No. As art lovers, we find it regrettable to melt down a bronze sculpture that was created with such dedication.
In addition, we do not melt down existing sculptures or objects for quality reasons: we deliberately keep our alloy pure, without the risk of contamination from unknown metals.
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The price is calculated based on the weight of the bronze and the number of hours required. Factors include:
workability and texture of the model
volume and complexity
surface to be processed (single-sided/double-sided)
type of finish
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Yes. The cost of the mold is always billed separately. It is often spread out over the production run.
Pedestals, specific finishing touches, shipping, and installation are also listed separately on the quote. -
No. It might be helpful to stop by only to approve the washing instructions.
Depending on the project’s requirements or complexity, we schedule interim reviews, consultation sessions, or a visit to the workshops.
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Yes. Depending on the project, we schedule studio visits, meetings, and progress reviews.
Our added value
Personal commitment and technical expertise, with a focus on quality and long-term partnerships
Support tailored to the artist’s or client’s needs and pace
Reliable project management, aligned with agreed-upon budgets and timelines
Innovation in craftsmanship: combining tradition with new techniques, and an openness to experimentation
Technical expertise for both small and large, complex projects
“We take the time to fully understand the artist and the work, so that the bronze result becomes a natural expression of the artist’s practice.”
— Sara Louwagie, Owner, Van Geert Art Foundry